Format: ebook, trade
Pub Date: 2015
Publisher: Self Published
Length: 382 pages
POV: 1st. PRESENT
FTC: Borrowed from a friend
If you've followed me on Twitter or read this blog at all, you'll know that I hate, LOATHE, despise first person, present tense. It's all over NA and YA and has been creeping into contemporary romance and I. Hate. It. But after nonstop urging from a friend who knows my sense of humor, I gave this hockey book a try. And for some strange reason, the 1st person present tense did not make me want to gouge my eyeballs out. It's a first.
I think what makes this tense combo work is the sheer outrageousness of Hunting's book. It is CRUDE. Like, in your face, no holds-barred, I-can't-believe-she-wrote-that crude. And funny. So, so funny. The book starts with Violet masturbating. There are beaver jokes. And beaver clip art. I started this on the plane ride back from RT, with my ereader angled away from fellow passengers, because ... it's pretty explicit.
Showing posts with label self published. Show all posts
Showing posts with label self published. Show all posts
6/30/17
Review: Cold Memory by Leslie A. Kelly
Format: ebook
Pub Date: January 2017
Publisher: Self Published
Length: 260 pages
FTC: Purchased myself
I was a HUGE fan of the first two books of this series, which Leslie Kelly published under the name Leslie Parrish several years back. (Cold Sight was 2010) Unfortunately, they didn't sell well enough for her publisher to continue to support the series. Thankfully, Kelly decided to bring the series back on her own. This is book 3, but I believe they can all stand alone.
What I love about these books is that the paranormal aspects aren't too far outside of what we already consider normal. It's light on the woo woo. These are pretty much standard romantic suspense, and 3/3 the mysteries are good and compelling.
Pub Date: January 2017
Publisher: Self Published
Length: 260 pages
FTC: Purchased myself
I was a HUGE fan of the first two books of this series, which Leslie Kelly published under the name Leslie Parrish several years back. (Cold Sight was 2010) Unfortunately, they didn't sell well enough for her publisher to continue to support the series. Thankfully, Kelly decided to bring the series back on her own. This is book 3, but I believe they can all stand alone.
What I love about these books is that the paranormal aspects aren't too far outside of what we already consider normal. It's light on the woo woo. These are pretty much standard romantic suspense, and 3/3 the mysteries are good and compelling.
7/7/14
Review: The Governess Affair by Courtney Milan
Format: print, e
Pub Date: 2012
Publisher: Self published
Length: novella
FTC: Print copy received from the author at RT14 in New Orleans
As a general rule, I avoid self published works. There's just been too much reviewer-bashing and an aversion to professional editing in that community. But I'm familiar enough with both Courtney Milan's professionalism AND her writing to set that aside. And I'm glad I did. I really liked this novella.
The Governess Affair is a prequel to her Brothers Sinister series. It's not very long, but it still manages to convey the story, the emotion, and the set up for the series.
Serena Barton is a problem. Her stoic, silent presence outside the Duke of Clermont's home is threatening the financial well being of the duke, and therefore of his problem-solver, Hugo Marshall.
The Duke's finances are tied to his wife's happiness and the duchess would be very, very unhappy if she hears just why Miss Barton is outside on the bench. Hugo, who has been promised a significant sum to help the duke regain his wife's affections, must find a way to solve the problem and get rid of Miss Barton.
This is a condensed version of a classic Regency set up. The main difference here is not the heroine but the hero. Usually this ends up with the governess and the peer. This time, it's the governess and a problem solver working for the very man who wronged the heroine. It's a sticky situation, one that surprisingly awakens Hugo's rarely used conscience.
Despite the short length, the characters are vividly portrayed and the romance is believable and moving. It's a very good prequel to the series and made me interested enough to immediately buy the next in the series.
My Grade: A
The Blurb:
Pub Date: 2012
Publisher: Self published
Length: novella
FTC: Print copy received from the author at RT14 in New Orleans
As a general rule, I avoid self published works. There's just been too much reviewer-bashing and an aversion to professional editing in that community. But I'm familiar enough with both Courtney Milan's professionalism AND her writing to set that aside. And I'm glad I did. I really liked this novella.
The Governess Affair is a prequel to her Brothers Sinister series. It's not very long, but it still manages to convey the story, the emotion, and the set up for the series.
Serena Barton is a problem. Her stoic, silent presence outside the Duke of Clermont's home is threatening the financial well being of the duke, and therefore of his problem-solver, Hugo Marshall.
The Duke's finances are tied to his wife's happiness and the duchess would be very, very unhappy if she hears just why Miss Barton is outside on the bench. Hugo, who has been promised a significant sum to help the duke regain his wife's affections, must find a way to solve the problem and get rid of Miss Barton.
This is a condensed version of a classic Regency set up. The main difference here is not the heroine but the hero. Usually this ends up with the governess and the peer. This time, it's the governess and a problem solver working for the very man who wronged the heroine. It's a sticky situation, one that surprisingly awakens Hugo's rarely used conscience.
Despite the short length, the characters are vividly portrayed and the romance is believable and moving. It's a very good prequel to the series and made me interested enough to immediately buy the next in the series.
My Grade: A
The Blurb:
Hugo Marshall earned the nickname "the Wolf of Clermont" for his ruthless ambition--a characteristic that has served him well, elevating the coal miner's son to the right hand man of a duke. When he's ordered to get rid of a pestering governess by fair means or foul, it's just another day at work.
But after everything Miss Serena Barton has been through at the hands of his employer, she is determined to make him pay. She won't let anyone stop her--not even the man that all of London fears. They might call Hugo Marshall the Wolf of Clermont, but even wolves can be brought to heel...
8/15/11
Indie is NOT Self Pubbed
I'm a little irritated this morning. There's been a brief discussion
on Dear Author and a lengthier one on Twitter about this issue, but I
still feel the need to rant a bit.
Self publishing is the bastard stepchild of the book world. The only thing worse according to many is vanity press. Self publishing has a reputation that makes that term synonymous with a slush pile of unedited, poorly written dreck.
Now that publishing is changing, and self publishing is having a few successes, there are some self published authors who are trying to use the term "indie" to refer to themselves. The problem is that the term is already taken. If self pubbers want to use a different term to describe themselves, more power to them. But they shouldn't do it by preempting a term that has been in use in the publishing business for decades.
An indie author is someone signed with an indie press. An indie press is also sometimes known as a small press, but not always. An independent press is to publishing as an independent record label is to the music industry. It's not owned by a large conglomerate which is then owned by an even larger media company. It's a stand-alone business.
Wiki has several pertinent sentences as well:
and this
We don't consider an indie music artist as someone putting out records in his or her basement. We consider them musicians signed with an indie label instead of one of the big music companies like Sony or Warner. The same concept applies with indie authors and indie pubs.
Why does it matter? It matters because conflating indie with self publication confuses the reader. And confusing/deceiving the reader is a bad thing. I don't care how many extra sales you think you'll get, once deceived, a reader will not only NOT buy your book, they'll tell every other person they can not to buy your book.
Indies are true publishing houses. They are a PRESS. They publish more than the work of a single author. They have editors who acquire or reject based on taste and quality. This is an entirely different thing from self publication.
Most writers I know are aware that words have power. How you use them is important. Using a term that means something specific to many people in the industry and pretending it means something else is a choice. And I'm not going to have a very high opinion of those who engage in that practice.
Don't like the self-pub label? Fine. But don't steal a well known industry term and use it to mask what you're really doing.
Self publishing is the bastard stepchild of the book world. The only thing worse according to many is vanity press. Self publishing has a reputation that makes that term synonymous with a slush pile of unedited, poorly written dreck.
Now that publishing is changing, and self publishing is having a few successes, there are some self published authors who are trying to use the term "indie" to refer to themselves. The problem is that the term is already taken. If self pubbers want to use a different term to describe themselves, more power to them. But they shouldn't do it by preempting a term that has been in use in the publishing business for decades.
An indie author is someone signed with an indie press. An indie press is also sometimes known as a small press, but not always. An independent press is to publishing as an independent record label is to the music industry. It's not owned by a large conglomerate which is then owned by an even larger media company. It's a stand-alone business.
Wiki has several pertinent sentences as well:
The terms "small press", "indie publisher", and "independent press" are often used interchangeably, with "independent press" defined as publishers that are not part of large conglomerates or multinational corporation.
and this
The majority of small presses are independent or indie publishers, this means that they are separate from the handful of major publishing house conglomerates, such as Random House or Hachette. The term 'indie publisher' should not be confused with 'self publisher', which is where the author publishes only their own books.
We don't consider an indie music artist as someone putting out records in his or her basement. We consider them musicians signed with an indie label instead of one of the big music companies like Sony or Warner. The same concept applies with indie authors and indie pubs.
Why does it matter? It matters because conflating indie with self publication confuses the reader. And confusing/deceiving the reader is a bad thing. I don't care how many extra sales you think you'll get, once deceived, a reader will not only NOT buy your book, they'll tell every other person they can not to buy your book.
Indies are true publishing houses. They are a PRESS. They publish more than the work of a single author. They have editors who acquire or reject based on taste and quality. This is an entirely different thing from self publication.
Most writers I know are aware that words have power. How you use them is important. Using a term that means something specific to many people in the industry and pretending it means something else is a choice. And I'm not going to have a very high opinion of those who engage in that practice.
Don't like the self-pub label? Fine. But don't steal a well known industry term and use it to mask what you're really doing.
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